引述 :『運用扇形抓摺裝飾的絲質外套，及同材質上衣，營造出虛無飄渺的荒誕氛圍，紅色的圓錐狀禮帽微揚，彷彿宣示旅程即將開始。 』

引述 :『森美術館開館5周年記念展 チャロー！インディア：インド美術の新時代 2008年11月22日（土）～2009年3月15日（日）月・水-日10:00－22:00｜火10:00－17:00』

引述 :『Have you ever imagined what it's like to have wings?" For Hachiya Kazuhiko, this is an ordinary question. Hachiya’s Interactive art strives to create a tangible experience -- even if it entails magically sprouting wings and soaring into the virtual unknown. Hachiya feels strongly that imagination begins with tactile and visual stimuli. In his artistic vision, "Nothing begins until it is touched, nothing is delivered until it is experienced." An example of how Hachiya (who also goes by Kazuhiko Hachiya) frees our imaginations can be found in his "Inter DisCommunication Machine" (1993). Two players wear head-mounted video cameras and backpack transmitters with wings. Incredibly, out of this clunky gear springs a delightful, futuristic play world. The most fantastic element of this interactive paradise is its visual trickery. Each player views his or her own image retransmitted through the other player's headgear. When was the last time we stood, moved, and played across from ourselves? Clearly Hachiya's machine plays with our psychological walls. He has "borrowed the players’ perceptions" in order to create a world of self-discovery. Hachiya's art also injects imagination and play into everyday technology. His "PostPet" project, for instance, brings personality to that banal and faceless piece of modern communication known as e-mail. The "Pet" is a small creature that lives on the computer desktop and acts as a personal delivery service. It conducts all e-mail transactions just like a real-life Fido -- including fetching the mail, delivering it, and interacting with its "owner." Once again, whimsy and accessibility are the hallmarks of Hachiya's work. As a pioneer of Interactive art, Hachiya continues to stake his claim on the realm of the fanciful. Once in his world, our old standards and perceptions become mere illusions that we can manipulate and enjoy as we will.』

引述 :『A digital audio editor is defined as a computer application for manipulating digital audio. As a multimedia creator, we normally use audio editor for recording audio, edit the duration and timeline, mix multiple sound tracks, apply simple effects for audio enhancement and create conversion between different audio file formats. There are countless ways that digital audio editor can be used, and fortunately there are plenty of good and free digital audio editors out there to help you with your own implementation. So if you're thinking to purchase a license for Adobe Audition, Cool Edit or Soundforge, hold that thought first. Not to say they aren't cool, but it's always wiser to tryout free applications before going to the pay deal. 』

引述 :『歡迎光臨~~~ 『吉兒 的個人網站』 ::: 白紙天空。Paper Sky ::: http://ps.saycoo.com/』

引述 :『 :::『吉兒的個人網站』:::』

引述 :『全世界參與CowParade公共藝術活動的藝術家以及各領域創作者不勝枚舉，其中較為人所熟知的幾位，例如以畫許多拳王阿里出名的美國畫家LeRoy Neiman，義大利著名攝影師Oliviero Toscani，紐約建築師Robert Stern，英國建築師Lord Richard Rogers(理察•羅傑斯爵士)，美國服裝設計師Kate Spade，倫敦服裝設計師Vivienne Westwood，法國服裝設計師Christian Lacroix，甚至還有來自英國的Radiohead搖滾樂團等等，這些藝術工作者灌注他們對藝術的熱情於公共藝術活動上，與全世界分享他們對藝術的理念與執著之心。』

引述 :『願台灣人文與藝術特色，可以藉由奔牛節無遠弗屆的感染力，展現在整個世界面前 』

引述 :『美國藝術大師羅森伯格（Robert Rauschenberg, 1925-2008）於5月12日晚間於家中去世，享年82歲。出生於德州的羅森伯格，藝術啟蒙相當晚，直至22歲海軍退伍後才進入著名的黑山藝術學院（Black Mountain College）就讀，成為他人生的轉捩點。』

引述 :『幾乎囊括了近幾年各項設計創意大獎，不論是自由落體設計公司或陳俊良的名字，一旦出現在相關媒體報導時時，總不免要被同業問上一句：「又得獎了啊！」 』

引述 :『在時尚書籍中，Dolce & Gabbana,以他們充滿想像、無畏的嶄新設計，打動好萊塢一干超級影星......』

引述 :『新竹颳起九降風，春春的序曲正開啟。男孩們在棒球場邊加油吶喊，催促的不只是球隊的勝利，更是舒展了年輕身體裡那股不安…… 』

引述 :『卡通是多種藝術表現樣式之一，富含著多種釋義。二十世紀初大量出現在報章雜誌，它們帶有幽默或諷刺的意味，作為闡釋社會狀態和政治情況的隱喻符號。60年代美國流行藝術家羅依‧李奇登斯坦（Roy Lichtenstein）、安迪.沃荷（Andy Warhol）、運用流行文化符號複製與創新的創作模式，將卡通打破了原本僅限大眾文化範疇於而進入了當代藝術的殿堂。』

引述 :『二十年前，我在加州的柏克萊經友人的推薦，讀了『深夜加油站遇見蘇格拉底』這本書，當時我以為自己看懂了這本書......』

引述 :『沙索‧謝拉切克 Sašo SEDLAČEK《乞丐機器人》乞討過程（現地製作） 沙索‧謝拉切克畢業於盧布爾雅那藝術學院（Academy of Fine Arts in Ljubljana）雕塑系，他的作品關心各種處置理論，使用（以及再使用）廉價的科技、廢物和回收品，溫和地提醒觀眾，我們所生活的是一個過度商業化的世界......』